Moore's other significant work at the studio included The Three Little Pigs, on which he was the principal animator; animation supervision of the dwarfs in Snow White and the Seven Dwarfs; most of Lampwick in Pinocchio (all of the poolroom scene and until halfway through his transformation to a donkey); and Timothy the mouse in Dumbo. Moore animated some scenes of the mice from Cinderella, some of the later scenes of the White Rabbit in Alice In Wonderland, and did the mermaids in the Mermaid Lagoon for Peter Pan.
Moore was well-known around the studio for his drawings of innocently sexy, often nude, women, referred to as "Freddie Moore Girls." Some of his girl designs found their way into Disney films: for example, the centaurettes in Fantasia and the teenage girls in the "All the Cats Join In" segment of Make Mine Music. (In "All The Cats Join In", Moore personally animated the sequence at the beginning, when the girl answers the telephone and then quickly showers and dresses, through to her scene putting on lipstick in front of her mirror). Moore's enduring influence can also be seen in the design of Casey's daughters in the 1954 short Casey Bats Again. His girl drawings remain iconic and influential. A model sheet for Ariel in the 1989 Disney film The Little Mermaid made specific distinctions between the design of that character and a "Freddie Moore Girl."
Moore's drawings and design style have come to epitomize the formative years of the studio in between Ub Iwerks' departure in 1931 and the ascension of the "Nine Old Men," after which studio design was dominated by animator Milt Kahl, along with storyboard artist Bill Peet, and later production designer Ken Anderson. During the 1930s, Moore, Art Babbitt, Norm Ferguson, Bill Tytla, and Ham Luske were the dominant Disney animators whose pioneering work culminated in 1937 with the breakthrough of Snow White and the Seven Dwarfs.
Moore was a close friend of fellow animators Ward Kimball and Walt Kelly, though he apparently had a quieter and more reserved nature than either of them. Many surviving gag drawings by Kelly from the period of Pinocchio show Kimball as the corrupt Lampwick, with boyish Moore as Pinocchio. Moore and Kimball were also caricatured as song and dance men in the 1941 Mickey Mouse short "The Nifty Nineties." Moore makes a brief (and quiet) live-action appearance in the 1941 featureThe Reluctant Dragon, along with Kimball and animator Norm Ferguson during one of the studio tour sequences.
He talked little about his family. His daughters were Sue Moore and Melinda Moore. Later on, his daughter Sue had married and had another daughter named Kelly Hall, who now resides in Tacoma, Washington with her two children.
Brief departure and return to Disney
Accident and Death
Moore was already at work animating the mermaids and the lost boys for Peter Pan when both he and his second wife, Virginia, were injured in a traffic accident early on the evening of Saturday, November 22, 1952, when their car was struck head-on while she made a U-turn on a rural highway through Big Tujunga Canyon near the Angeles National Forest. The Moores were reportedly returning from a day spent watching a football game with fellow Disney artist Jack Kinney. Moore died the following day at St. Joseph's Hospital in Burbank, California, located across the street from the Disney Studios, from a cerebral hemorrhage resulting from a concussion. Moore is interred at Forest Lawn Memorial Park (Hollywood Hills) in a plot overlooking the Disney Studios.
Disney Legend inductee
Fred Moore was posthumously inducted as a Disney Legend by the studio in 1995, and posthumously received the animation industry's Winsor McCay Award in 1983.